|
Production |
Director |
Theater |
Date |
|
Blood Moon |
Rachel Dickstein |
Beth Morrison Projects/Prototype |
2020 |
|
Three Girls Never Learnt the Way Home |
Larissa Lury |
Cherry Lane Theatre |
2019 |
|
Constellations |
Scott Edmiston |
Underground Railway Theatre |
2017 |
|
Sleep |
Rachel Dickstein |
BAM Next Wave Festival |
2017 |
|
Thumbprint |
Rachel Dickstein |
LA Opera |
2017 |
|
Nat Turner in Jerusalem |
Megan Sandberg-Zakian |
New York Theatre Workshop |
2016 |
|
She, She, She |
Elena Araoz |
Hook & Eye Theatre, Ice Factory |
2016 |
|
Teach, Teacher, Teachest |
Daniel Irizarry |
One-Eighth Theatre, INTAR |
2015 |
|
Lucia di Lammermoor |
Elena Araoz |
Opera North |
2013 |
|
Septimus and Clarissa |
Rachel Dickstein |
Ripe Time |
2011 |
|
Final Strange Tale of Edgar Allen Poe |
Curt Columbus |
Trinity Repertory Theatre |
2011 |
|
Milk |
Jessica Bauman |
New Georges |
2010 |
|
Adding Machine, A Musical |
Paul Melone |
SpeakEasy Stage Company |
2010 |
|
Is Life Worth Living? |
Jonathan Bank |
The Mint Theatre |
2009 |
|
Thirst, A Spell for Christabel |
Elena Araoz |
First Light Theatre Group, Here Art Center |
2009 |
|
Fire Throw |
Rachel Dickstein |
Ripe Time |
2009 |
|
The Light in the Piazza |
Scott Edmiston |
SpeakEasy Stage Company |
2008 |
|
All’s Well That Ends Well |
Tina Packer |
Shakespeare and Company |
2008 |
|
L’elisir de amore |
Ned Canty |
Curtis Opera Theatre |
2008 |
|
The Ghost’s Bargain |
Melissa Kievman |
Two River Theatre Company |
2007 |
|
Macbeth |
Adrianne Krstansky |
Actors Shakespeare Project |
2007 |
|
Sawdust Palace |
Susan Marshall |
Susan Marshall and Company, Bard Summer Stages, Dance Theatre Workshop |
2007 |
|
Betrothed |
Rachel Dickstein |
Ripe Time, Inc. |
2007 |
|
The Pearl Fishers |
James Marvel |
Opera Boston |
2007 |
|
Mercy on the Doorstep |
Jim Simpson |
Flea Theatre |
2006 |
|
Mayhem |
Jonathan Carr |
American Repertory Theatre Institute |
2005 |
|
Alceste |
Brad Dalton |
Opera Boston |
2005 |
|
Innocents |
Rachel Dickstein |
Ripe Time, Inc. |
2005 |
|
El Paso Blue |
Juliette Carrillo |
Summer Play Festival |
2004 |
|
Nixon in China |
Scott Edmiston |
Opera Boston |
2004 |
|
Boy Gets Girl |
Charles Towers |
Merrimack Repertory Theatre |
2003 |
|
Disappearing Acts |
J’aime Morrison |
Mabou Mines Artist Residency |
2003 |
|
Henry V |
Steve Maler |
Commonwealth Shakespeare Company |
2002 |
|
The Right Way to Sue |
Anne Kauffman |
New Georges |
2001 |
|
Phoebe’s Got Three Sisters |
Marcus Stern |
American Repertory Theatre Institute, Moscow Art Theatre School |
1999 |
|
Gertrude Stein’s Brewsie and Willie, Directed by Rosalind Morris, Rocam Productions |
2011 |
|
The Autumn Heart, Directed By Steve Maler, The Film Center, Winner Nantucket Film Festival, Sundance Film Festival |
1997 |
|
2019 |
USA Design Exhibition at the 2019 Prague Quadrennial for Sleep |
|
2018 |
Elliot Norton Award for Outstanding Production for Constellations |
|
2016 |
ACE and HOLA Awards for Aunt Julia and the Scriptwriter |
|
2015 |
USA Design Exhibition at the 2015 Prague Quadrennial for Septimus and Clarissa |
|
2014-2015 |
New Georges Audrey Residency with Elena Araoz |
|
2012 |
Drama League Nomination for Distinguished Production for Septimus and Clarissa |
|
2010 |
IRNE Award for Best Set Design for Adding Machine, A Musical |
|
2010 |
Elliot Norton Award for Outstanding Set Design for Adding Machine, A Musical |
|
2009 |
Best Design, First Irish Festival, NYC for Is Life Worth Living? |
|
2008 |
IRNE Award for Best Set Design, The Light in the Piazza |
|
2007 |
Best Set Design, Opera Online, The Pearl Fishers |
|
2000-2002 |
Recipient, NEA/TCG Career Development Program for Designers |
|
1997 |
IRNE Award for Outstanding Set Design, SubUrbia |